SOUNDOBJECTS
everybreath you take #01
Soundobject 2010
Telephone handset, sound, photoserie
Photoserie: 6-parts: 60 x 45cm, C-Print on fineartpaper
Arrangement, instruments, vocals: Florian Schmeiser
Original: Police
this work is dedicated to china. It is a variation on love, control and surveillance.
I don't want to set the world on fire
Soundobject 2009
Helmet HGU-26/P, Sound
Arrangement, Instruments, Vocals: Florian Schmeiser
Original: Franz Schubert "Leiermann" (Die Winterreise)
Text: The Ink
Spots "I don't want to set the world on fire"
I dont want to set the world on fire is a work about escapism and war. The emotional is encapsuled within a securitydevice.
http://www.openspace-zkp.org
http://medianoche.us
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apocalypso
Interactive soundinstallation 2001
emergency button
apocalypso is a work about war, using invisibility and interactivity within the gallery space.
An emergency-button is embedded in the wall and triggers the soundinstallation. Pushing the button you hear a soundcollage of sacred music and communication of NATO-pilots during the war in Kosovo.
Interactivity is reduced to the minimum: a button rules reality.
Galerie ARC
Kunsthalle Exnergasse
http://kunsthalle.wuk.at
100qm utopie / 100 sq. m utopia
Photo- and soundobject 2005
C-Print, Alu, 100 x 100 cm, sound
The miniature of an installation in pulic space. The attempt to put utopia into practice - 100 sq.m green gras on the street - failed and remained utopia. The sound works with the audiodocumentation of the failure.
"Utopie:Freiheit", Kunsthalle Exnergasse 2005
curated by open mind
http://www.utopie-freiheit.at
http://kunsthalle.wuk.at
Kugeln ecken niemals an / spheres never offend
Video- and soundobject 1998
schuda/schmeiser
An escape-capsule into the audiovisual world of 1968.
"Nach 68 - Verlangen und Begehren" by best before
Salle de Bal 1998
Videoobject 1997
IT is a montage of commercial claims. The Videoinstallation is invisible. The sound plays with the abstration of desire. IT, the psychological motor for desire, remains invisible.
Landesmuseum Joanneum Graz; 1997
